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Talat Mahmood
Shanshak-Mu-Ghazal Talat Mahd (Talat Mahmud) Vowo music sound was spoken by the folks with the century of the twentieth century. Lat Mahd was born on 24 February 1924 in Ludhiana in a good looking, cultured household. When he got here to Calcutta, he would do it within the morning when his voice could be worshiped by Emperor Kundanlal Sehgal, the wind god. The younger fashion of communication of surprising personalities additionally included gamers who behaved like airplanes in oncoming plane circumstances.
New theater pay scales for up to a couple Celebrities just like the sound of music related to New Theatres, Baral, Titer Baran, Titer Baran, Titer Baran, Tir Baran, Kalakaj Dasset’s qualities have gotten virtuous qualities, that are present in a blended type. Batter Negaon-film songs in Shrudhanjali Kalak, Previta Milan Milan A few of these had been “Sleep the channel and the wire” “Tonight’s evening is darkish” “Daily shouldn’t be the identical” “Image terry mere dil bahla nater” “Jaane” and many others.
Music director Anil Biswas is credited with recognizing Talat’s expertise and singing and taking him to the highest. When Talat got here to the movie metropolis of Bombay in 1949, his aim was to determine himself as a playback singer. Right here Khemchand Prakash caught sight of him and he sang a duet with well-known singer Geeta Dutt within the Raj Kapoor-Nargis starrer “Jaan Pehchan” from Talat, “Armaan Bhare Dil Ki Lagan Tere Liye Hai”. This music reached the best degree of recognition.
In 1949 itself, Anil Biswas sang one other music filled with indifferent melancholy from Talat in “Arzoo” starring Dilip Kumar and Kamini Kaushal, “Ae Dil Mujhe Aisi Lasse Le Chal Jahan Koi Na Ho”. This voice of escape from life was additionally turning into vocal within the then shadowy Hindi poetry “Le Chal Mujhe Bhuwawa Dek Naik Dheere Dheere” and related voices of exodus arising out of separation had been echoing in movie songs. Clearly the magic of Talat’s gentle silky voice was affecting the viewers.
Whereas reviving the reminiscences of Talat Mahmood, Anil Biswas recollects that at the moment, Talat’s voice turned uncomfortable whereas controlling the type of vibration in his voice. I informed him to maintain his voice pure and he understood my directions. Arzoo’s success instilled immense confidence in Talat after which he continued to climb the ladder of success. Beneath the course of Anil Biswas, Talat sang many well-known and common songs “Shukriya e Pyar Tera Thanks”, “Ek Primary Hoo Ek Meri Beksi Ki Sham Hai”, “Tera Khayal Dil Se Mitaya Nahi Abhi” “Rahi Matwale Tu Chheda Ek Baar”.
The fifth decade of the twentieth century was the golden age of Talat Mahmood’s movie singing. Aside from Anil Biswas, the opposite administrators who introduced his silky gentle voice on the silver display had been C. Ramchandra, Naushad, Madanmohan, Sachin Dev Burman, Shankar Jaikishan, Husnlal Bhagatram, Ghulam Mohammad, Roshan and Bullo Si Rani. Clearly Talat’s expertise was for music. The urge to turn out to be an actor was sturdy in him and he needed to reach each singing and appearing like Saigal, however this additionally turned the explanation for his failure.
He bought the position of the protagonist in Kardar’s movie “Dile Nadaan”. There have been actress Shyama in feminine roles and a brand new lady, Peace Kanwal } Music director Ghulam Mohammad sang many melodious songs from Talat reminiscent of “Zindagi Dene De Solar”, “O Khushi Se Chot Khaye Woh Jigar Kaha Se Lau” and “Yeh Raat Suhani”. Dilenadan’s musical aspect was wonderful but it surely bought crushed up on the field workplace. He additionally acted in different movies like “Sone ki Chidiya”, “Ek Gaon Ki Kahani”, “Maalik” and “Waris”. All these movies had been unsuccessful however their songs turned common.
Music administrators began ignoring him resulting from taking extra curiosity within the appearing of Talat Mahmood and just like the trio of playback singers Rafi, Mukesh and Kishore, Talat couldn’t make a big impact. However musician Madan Mohan didn’t disappoint Talat even then.
Talat’s equations with him had been profitable and efficient. Within the movie Madhosh, Talat sang “Meri Yaad Mein Tum Na Aanush Bahana” and equally a few of his different profitable songs had been directed by Madan Mohan.
In fact, Talat didn’t get a lot success in appearing, though she labored with heroines like Mala Sinha and Nutan. It’s noteworthy that Talat bought most success within the discipline of Ghazal and he has no match on this enjoyable. He was awarded the Padma Bhushan in 1992. Talat Mahmood died on 9 Could 1998 in Mumbai on the age of 74. Definitely, with the demise of Talat, the artist who gave expression to tender emotions like delusions, anguish, melancholy and disconnection arose.
